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Proverbs

Kila king’aacho si dhahabu

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Updated 4mo ago
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All that glitters is not gold
Hapo zamani za kale, palikuwa na binti mrembo, mkarimu, mwenye akili aliyeitwa Poshia. Wanaume wengi walitaka kumuoa na walikuja ili kuomba uchumba. Baba Poshia alikuwa amefariki dunia. Alikuwa tajiri na aliacha wosia ulioelekeza kamba yeyote aliyetaka kumuoa Poshia, lazima achague kati ya masanduku tatu: sanduku la dhahabu, sanduku la fedha na sanduku la risasi. Atakayechagua sahihi ndiye atakayeruhusiwa kumuoa Poshiia na kurithi mali zote za Baba Poshia. Siku moja, Mfalme wa Moroko alikuja ili kuomba uchumba.

Mabepari wa Venisi

Tazama ▶️ YouTube


POSHIA: Kayavute mapazia masanduku yaonekane kwake mtukufu huyu mtoto wa mfalme. Haya sasa kachague.

MOROKO: La kwanza, ni la dhahabu, lenye maandiko haya:
‘Anichaguaye mimi atakuwa amepata kile wanaume wengi wakitamanicho sana.’
Na la pili, ni la fedha, linaloahidi hivi: 
‘Anichaguaye mimi apate astahilicho.’
La, tatu, risasi butu, na onyo lake ni butu:
‘Anichaguaye mimi itambidi atoe, na pia ahatarishe chochote alicho nacho.’
Nitajuaje yakuwa nimechagua vizuri?

POSHIA: Moja lina picha yangu, mzawa wa mfalme: Ukilichagua hilo basi na mimi ni wako.

MOROKO: Muungu Fulani uniongoze. Hebu nione; nitayachagua tena maandiko toka mwisho. Nitaanzia la tatu: lasemaje, la risasi?
‘Anichaguaye mimi itambidid atoe na pia ahatarishe cho chote alicho nacho.’
Itambidi atoe - atoleeni? Risasi? Na pia ahatarishe - kwa ajili ya risasi? Sanduku hili latisha: wahatarishao vyote hutumaini kupata faida iliyo nzuri: Wenye moyo wa dhahabu hawajali takataka; Kwa hiyo basi sitoi na wala sihatarishi chochote nilicho nacho kwa sababu ya risasi. La fedha lasema nini, lenye rangi ya baridi?
‘Anichaguaye mimi apate astahilicho’.
Apate astahilicho! Subiri hapa, Moroko. Upime thamani yako kwa mkono wa mwadilifu: Kama ukithaminiwa vile ujifanidivyo wastahili kutosha; walakini ya kutosha inaweza isitoshe kumpata siti huyu. Bali nikitia shaka kuwa simstahili,Basi hapo nitakuwa najiumbua mwenyewe. Stahili yangu ni nini? Bila shaka ni bibie. Namstahili, hakika, kwa nasaba na kwa mali, kwa madaha na kwa sifa zote za malezi mema na kuzidi yote hayo namstahili kwa pendo. Vipi, nisiendelee, nichague papa hapa?
Hebu tuyaone tena ya sanduku la dhahabu:
‘Anichaguaye mimi atakuwa amepata kile wanaume wengi wakitamanicho sana!’
Naam, ni siti huyu; anotamaniwa kote. Toka pande zote nne za dunia wanakuja kubusu sanamu hii takatifu ilo hai: Majangwa ya Hirikani na nyika pana ajabu, za Uarabuni kote, sasa zimekuwa njia ziletazo watawala kumwona Poshia bora. Nayo dola ya bahari ambayo inapofura hutemea hata mbingu, haiwezi kuzuia nia ya wageni hao; ila wanazidi kuja, kama wavuka kijito, kumwona Poshia bora. Moja la matatu haya lina picha yake nzuri. Itawezekana kweli liwe lile la risasi? Wazo chafu kama hilo lingekuwa ni laana. Halifai japo kuwa sanda yake ya kaburini.
Au niwaze ya kuwa kawekwa ndani ya fedha? Moja ya kumi na moja ya thamani ya dhahabu? Hilo ni wazo la dhambi! Kito cha thamani hivi hakiwekeki po pote ila ndani ya dhahabu. Uingereza wanayo sarafu tu ya dhahabu, ambayo kwa juu yake imechapwa malaika. Bali hapa malaika mwenyewe hasa yu ndani ya sanduku hili hapa, na bahati nijaliwe!

POSHIA: Ni huu hapa, chukua, mzawa wa mfalme; kama sura yangu imo nimekuwa mali yako.

[Anafungua sanduku la dhahabu]
MOROKO: Mama yang! Nini hii? Ni fuu tupu la kichwa, ambalo katika jicho lina hati ma’ndiko. Nitasoma maandiko.
Kila kitu king’aacho usidhani ni dhahabu,
umekisikia hicho ni kiambo cha mababu.
Kuniona kwa nje tu, wengi wameuza utu;
Makaburi ya dhahabu yana mafunza ajabu.
Ungekuwa na werevu ulivyo na ushupavu,
kijana kiwiliwili na mzee kwa akili,
usingelistahili kulipewa jibu hili:
Basi buriani dawa; pposa umefarikiwa.
Nimefarikiwa kweli. Bure nimejitanibu. Basi buriani, joto; nawe, makiwa, karibu. Basi kwa heri Poshia. Ninayo
huzuni sana siwezi kwa heri ndefu: Ndivyo wanavyoagana watu waliopoteza.
[Aondoka na Wafuasi wake. Tarumbeta]
Sources
Tendo la II, Onyesho la 7 katika Mabepari wa Venisi ( Kiing: The Merchant of Venice) na William Shakespeare, Ilitafsiriwa na Mwalimu Nyerere
English: The Merchant of Venice by William Shakespeare, Act II Scene 7

Watch Tazama ▶️
The Merchant of Venice, Act II Scene 7 on YouTube
Ken Nwosu as the Prince of Morocco and Patsy Ferran as Portia, Directed by Polly Findlay, 2015 RSC
https://youtu.be/J9q7h9b-KWs?t=40m25s

Movie ya zamani:
Joan Plowright as Portia, Stephen Greif as the Prince of Morocco, Directed by Laurence Olivier, 1973
https://youtu.be/fJDg4ITyJIc?t=35m13s

Picha: Mchoro ulitengenezwa kwa kutumia Akili Bandia (AI) pamoja na photoshop. CC BY Maktaba.org
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Once upon a time long ago, there was a beautiful, intelligent and kind young woman named Portia. Many men wanted to marry her and came to woo her. Portia’s father had died and left behind a will instructing that any suitor of Portia would have to choose among three caskets, one of gold, one of silver and one of lead. Only the suitor who chose correctly would be allowed to marry Portia and inherit all her father’s wealth. One day, the Prince of Morocco came to woo Portia.

The Merchant of Venice

Watch ▶️ on YouTube 

Portia: Go draw aside the curtains and discover
The several caskets to this noble prince.
Now make your choice.

Prince of Morocco: The first, of gold, who this inscription bears,
'Who chooseth me shall gain what many men desire;'
 The second, silver, which this promise carries,
 'Who chooseth me shall get as much as he deserves;'
 This third, dull lead, with warning all as blunt,
 'Who chooseth me must give and hazard all he hath.'
How shall I know if I do choose the right?

Portia: The one of them contains my picture, prince:
 If you choose that, then I am yours withal.

Prince of Morocco: Some god direct my judgment! Let me see;
 I will survey the inscriptions back again.
 What says this leaden casket?
 'Who chooseth me must give and hazard all he hath.'
 Must give: for what? for lead? hazard for lead?
 This casket threatens. Men that hazard all
 Do it in hope of fair advantages:
 A golden mind stoops not to shows of dross;
 I'll then nor give nor hazard aught for lead.
 What says the silver with her virgin hue?
 'Who chooseth me shall get as much as he deserves.'
 As much as he deserves! Pause there, Morocco,
 And weigh thy value with an even hand:
 If thou be'st rated by thy estimation,
 Thou dost deserve enough; and yet enough
 May not extend so far as to the lady:
 And yet to be afeard of my deserving
 Were but a weak disabling of myself.
 As much as I deserve! Why, that's the lady:
 I do in birth deserve her, and in fortunes,
 In graces and in qualities of breeding;
 But more than these, in love I do deserve.
 What if I stray'd no further, but chose here?
 Let's see once more this saying graved in gold
 'Who chooseth me shall gain what many men desire.'
 Why, that's the lady; all the world desires her;
 From the four corners of the earth they come,
 To kiss this shrine, this mortal-breathing saint:
 The Hyrcanian deserts and the vasty wilds
 Of wide Arabia are as thoroughfares now
 For princes to come view fair Portia:
 The watery kingdom, whose ambitious head
 Spits in the face of heaven, is no bar
 To stop the foreign spirits, but they come,
 As o'er a brook, to see fair Portia.
 One of these three contains her heavenly picture.
 Is't like that lead contains her? 'Twere damnation
 To think so base a thought: it were too gross
 To rib her cerecloth in the obscure grave.
 Or shall I think in silver she's immured,
 Being ten times undervalued to tried gold?
 O sinful thought! Never so rich a gem
 Was set in worse than gold. They have in England
 A coin that bears the figure of an angel
 Stamped in gold, but that's insculp'd upon;
 But here an angel in a golden bed
 Lies all within. Deliver me the key:
 Here do I choose, and thrive I as I may!

Portia: There, take it, prince; and if my form lie there,
 Then I am yours.

[He unlocks the golden casket]
Prince of Morocco: O hell! what have we here?
 A carrion Death, within whose empty eye
 There is a written scroll! I'll read the writing.
 [Reads]
All that glitters is not gold;
Often have you heard that told:
Many a man his life hath sold
But my outside to behold:
Gilded tombs do worms enfold.
Had you been as wise as bold,
Young in limbs, in judgment old,
Your answer had not been inscroll'd:
Fare you well; your suit is cold.
 Cold, indeed; and labour lost:
 Then, farewell, heat, and welcome, frost!
 Portia, adieu. I have too grieved a heart
 To take a tedious leave: thus losers part.
 [Exit with his train.

- From The Merchant of Venice by William Shakespeare, Act II Scene 7
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Updated 4mo ago
by

Meaning 


In this proverb, the sword signifies force and violence, and the pen stands for words. While the sword can conquer with force, the pen can persuade, inspire, enlighten and motivate people. Not everyone has weapons to force other people to do what they want, but everyone has the power to influence the world through what they think, say and write with words.

Silaha za siku hizi ni kalamu na karatasi.
Today's weapons are pen and paper.
 - Swahili proverb

Part of the reason this proverb is true is that words often motivate and regulate how people use violence and force. For example, through law, the words of leaders, judges and juries have the power to jail people or even kill them. Making a fiery speech to an angry mob might cause a violent riot (see Julius Caesar). 

You furnish the pictures and I'll furnish the war.
- William Randolph Hearst

The proverb also reminds us of the power of nonviolent resistance to bring about lasting political change, a principle advocated and demonstrated by figures like Mahatma Gandhi, Martin Luther King, and Nelson Mandela. (Check out Henry David Thoreau's classic Essay, "Civil Disobedience" and Sophocles famous play, "Antigone")

Origin


The phrase "the pen is mightier than the sword" became popular after Edward Bulwer-Lytton used it in his 1839 play "Richelieu: Or the Conspiracy" (page 47).  But the idea likely originated much earlier.

Some sources attribute the proverb to the Story of Ahikar (which is also the source of the proverb "A bird in the hand is worth two in the bush"). In this edition, the translator was unable to decipher the damaged manuscript and left the sentence unfinished. (Page 171/274
(FRAGMENTS)
Watch carefully over thy mouth ...... and make thy heart slow(?), for the word spoken is like a bird, and he who utters it is like a man without ...
... the craft of the mouth is mightier than the craft of ...... 
Could this be the original source of the proverb from over 2500 years ago? You be the judge...

A similar phrase also appears in the Old Testament: 
For the word of God is quick, and powerful, and sharper than any two-edged sword.
Hebrews 4:12 (KJV)

And in Shakespeare:
 Many wearing rapiers are afraid of goosequills.
-William Shakespeare Hamlet Act 2, scene II (page 59)

Do you agree that the pen is mightier than the sword? Share your opinions below!

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Updated 4mo ago
by
What one person throws away may be useful and valuable to someone else.

This saying is often used to describe either the diversity of human preferences or to express optimism that humans are quite creative when it comes to repurposing or recycling what other people throw away.

For example, entrepreneur Gibson Kiwago, founder of WAGA Tanzania, recycles old laptop batteries to power homes and businesses in Tanzanzia. Check out our E-Waste Reading List!

The notion that people subjectively assess quality has been around a long time. The saying derives from a 17th century proverb:
One man's meat is another man's poison.

Have you ever seen value in something that someone else threw away?
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Updated 4mo ago
by
Kuna vitu ambavyo huwezi kufanya peke yako. Tango ni mchezo (densi) ya watu wawili, kwa hivyo huwezi kucheza tango peke yako.

Methali hii inatoka wimbo ulioimbwa 1952, It Takes Two to Tango:
Unaweza kusafiri kwa meli peke yako,
kulala au kupumzika peke yako.
Unaweza kuingia kwenye deni peke yako.
Kuna mambo mengi ambayo unaweza kufanya peke yako.
Lakini ni lazima muwe wawili ili kucheza tango, muwe wawili ili kucheza tango...
- It Takes Two to Tango (1952, Al Hoffman, Dick Manning na Pearl Bailey) Ona vyanzo/sources ili kusikiliza wimbo huu!

Methali hii ina maana nyingi tofauti ambazo unaweza kutekeleza katika mahusiano na maisha yako ya kila siku. Mambo mengi huhitaji watu zaidi ya mmoja: Wawili wanatakiwa ili kushirikiana, kufanya biashara ama kupigana. Ukitaka kucheza na mtu ambaye hataki kucheza na wewe, bora kumtafuta mchezaji mwengine.. Vivyo hivyo, ukiwa kwenye mgogoro au magomvi, itabidi ufikirie jinsi tabia yako inavyoweza kuchangia katika kuendeleza shida. katika dance, lengo si kuwa mkamilifu, bali ni kuendana na mwenzako na kufurahia pamoja.
Methali zinazofanana kutoka Afrika: 
Kimisri (Kiarabu): 
ايد لوحدها ماتسقفش‎
Mkono mmoja hauwezi kupiga makofi
Kiswahili:
Bila mtu wa pili ugomvi hauanzi
Kidole kimoja hakiuwi chawa
...
Updated 4mo ago
by